I realise that I've
let my blog slip into disuse in the last year or so, it was the typical story
of too much vying for my attention and, sadly, the inessential being trimmed.
This weekend gone I
read Two Boys Kissing by David Levithan and suddenly, even if only for this one
book, blogging became essential. I don't even know if anyone reads this long
dead blog, but that's not what's important here. I need to write about this book
regardless of how many people happen to stumble upon this dark corner of the
internet.
Each book is a
story, obviously, but I'm also strong in the belief that the reading of each
book is a story in itself. True, not always an interesting one, but there's
always something that led us to chose that particular book at that particular
time. If you want to skip to the review of the book itself, I understand. Jump
down to where it starts... It's the most important part anyway. I think I've rambled a bit. But, my blog, my rules.
My 'Two Boys
Kissing' story starts long before it was even published, not that I knew it.
The last 3 years I've been working towards my Masters in Children's
literature, and towards the beginning of last year I made an important
decision: What to do for my thesis. I'd tossed around a couple of ideas, a
research paper analysing Patrick Ness' Chaos Walking Series, or an exploration of
gay teen YA, a few other ideas, but what I really wanted to do was write a
novel. So I decided to do a creative work: write and submit a novel along
with an exegesis about it. So, I stopped writing the steampunk fantasy bizzo
that I was working on, and undertook the book I've always known I've had in
me. I'll leave the details about that for another time, but I should say that it is a gay teen YA novel.
I got to writing...
One thing I often
hear authors say is that while they were writing any given novel, they read
widely, but stayed well away from the same genre as what they were writing. I've
had editor friends give me the same advice directly. So, for nearly 18 months,
all books with a gay YA theme were hands off. This has been difficult, as,
through my studies I've become aware of more books than I ever knew existed. Not only
that, but then David Levithan (by all accounts among booksellers the go-to-guy of gay YA) releases a book proudly called Two Boys Kissing with a cover that
reinforced its subject matter unapologetically. Further, people who's opinion I
trust and are usually aligned with asked me regularly if I had read it yet,
because it's so good.
But, alas, I was
still only halfway through my own novel and was abstaining.
Then (let's skip
forward 6 months) I finally finished my novel (enough for uni, at least). Yet, I still have my exegesis to write before I can hand it
in. AND because an academic discussion of a novel isn't
really complete without comparing it to others in the genre, I found that the
long list of gay YA novels of which I'd been taking note, had to
be read all of a sudden in order to be analysed.
Now I know my own
book isn't completely polished, and I probably should have held off until I knew it was done and dusted, but uni called for it. Who was I to argue?
So, letting go, I
succumbed to the inner urge I'd been denying for months and finally started
reading the books I wanted to. The first cab off the rank was one called 'The Boy's Own Manual To Being A Proper Jew' by Eli Glasman. It's not out until July,
but a friend scored me an advanced proof because she knew the subject matter of
thesis. I won't go on about it, other to say I read it in one sitting and it's
great! Definitely look it up.
Then, I reached for
my copy of Two Boys Kissing. I'd bought it when it came out, knowing that I had
to own it, regardless. (My only grief now is that I will have to buy it again
in HB, as you'll find out why)
So then... My Review...
I have to admit that
when I began reading I was really worried I'd find the whole thing a bit
pretentious. It's not, but I want to say this upfront for those of you who
start it and think the same thing and wonder if you should give up. Do not give up.
Press on (if indeed you need to be pressed). The reason for my reaction is that
the narrator is a collective 'we' made up of the generation of gay men who
lived (and died) through the height of the AIDS epidemic. I quickly learned that this is a very effective narrative device. It powerfully
brings to light what often remains unspoken or even unknown about their
suffering, without the book being about their suffering.
Instead, we follow
an assortment of gay teenage boys each trying to find their way through varied
levels of acceptance from their families, their friends and their communities.
The main story that ties most of them together is that of Craig and Harry who
are attempting to break the world record for the longest kiss. They see this as
a form of advocacy in light of the recent homophobic assault that put one of
their classmates in hospital. This, essentially, is the two boys kissing of the
title. Yet, as we also follow Peter and Neil who have been dating for a year,
and Avery and Ryan who have only just met and feel those first stirrings of something special, we
realise that there are many types of kisses, many types of relationships. There
is more, but I'm sure other reviews and blurbs will fill you in. Really, it's
even better going into it knowing as little as possible.
I was so utterly
moved by this book. Those who know me well will know that I rarely cry (I mean
actually cry) in books and films. Sure, I can get teary, sure I get emotionally
invested, but actual tears come so infrequently that I can be quite astounded by
the books that do manage to get me weeping.
I was crying all the way through this book.
Tears
of joy; tears from hard personal memories; tears from sweet personal memories;
tears of shared pain in what others have gone through; but, most frequently,
pure tears of hope that things are changing, and things can change; get better.
That we are moving in the right direction. One particular character brought on
these tears of hope more than any other, and he only exists in only 3
paragraphs. I just re-read those paragraphs as I write this, and cried again. He is Max, and
I'll let you find him for yourself. (Thank you, David Levithan, for Max).
I finished this book
(in fact, it was well before I finished) and knew that it was perhaps one of
the most special and important books I had read. I found myself sad that it had
not been written 15 years ago so that I could have read it as a teenager and
maybe had a much happier time of it. I found myself happy that such a book
existed and was now available for anyone to read. Which they should. Anyone.
While it is truly a spectacular work of fiction that practically any gay teen
in the western world will most likely connect with, it is also one that offers
so much insight into what has gone before, and how much further we have to go,
and we will never get there if it is only gay teens reading this book. This is
a book for everyone. I will try not to get carried away and say that to
disregard this book because of its themes is to wantonly perpetuate
closed-minded bigotry, but that is how I feel.
If someone had told
me that they were attempting to write a novel that encapsulates so much of the
joint experiences of multiple generations of gay men, I would have told them
that it could not be done. David Levithan has proved me wrong, and I am so happy
for it.
So go out and share
it. Share it with your partners, your boyfriends and girlfriends. Share it with
your teenage children or nieces and nephews. Share it with your parents, with
your friends. Because if this book has even a fraction of the power that I feel
it has, it will only be realised by people sharing it.
(Can I give it more?)
Find it on Goodreads

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